Regardless of the palette Nguyen uses, his work is always spiritual, and devoted to nature, as he himself has been since he was a child. “That is always in my mind from a young age. I had respect for trees, rocks, plants. It’s not religious, it’s spiritual in respect to everything surrounding me—after all, they’ve all been there longer than me.”

In his latest series of sacred landscapes Nguyen introduces a new feature, an arch-sharped gate that frames the water's horizon line and could be interpreted as a transition point to pass under on the road to spiritual enlightenment.

...chốn tôi thường viếng thăm, như là cách cân bằng cho cuộc sống vật chất bận rộn, nhất là để tìm lại sư thanh thản của tâm hồn, để có sự lành mạnh trong tâm linh. Tôi ví đó như là những chuyến hành hương. Đến với với thiên nhiên, gần gũi với đất trời, sông núi, tôi
cảm nhận tôi đến gần với Thượng Đế hơn là đi đến chùa chiền, nhà thờ.”
Ông tiếp: “Và khi về làm việc tại xưởng vẽ, tôi tĩnh tâm, ôn lại những cuộc hành hương ấy trong tâm tưởng, để cảm xúc của mình lại tiếp diễn qua tranh vẽ. Tôi thật sự tự do và an bình trong những giây phút đơn độc đó.”

Opening on Jan. 10 and on display through March 5, “Vietnamese-American Stories” is one of a series of Casa Connections events for the season. The programming will feature a curated exhibit of the work of Vietnamese American artist Hùng Viet Nguyen, with vivid landscape paintings inspired by traditional techniques, like woodblock print and Oriental scroll painting.

What is your creative process?
"I often sketch on small note sketch-book to get some ideas about the best composition. But I usually don’t look at the sketches while creating the artwork, I think that way I can bring more elements into the artwork without planning. I believe an artwork needs to have both consciousness and unconsciousness elements."

Hung Viet Nguyen's love of painting is indeed Sacred, as it exudes a meditative practive of constantly making marks on the canvas as intricate detail, yet keeping an eye on the bigger picture that emerges of the landscape.

By Ginger Van Hook

"..."Some of the influences I only realized and found out after the artwork had been completed for awhile," he explains. "They were happening unconsciously." He has also looked to his Asian roots for inspiration, studying traditions as diverse as Chinese scroll paintings, Japanese woodblock prints and ceramic decoration...” – Meher McArthur, Asian Art Historian (2013)

Hung does not refer to texture. Instead, he builds actual texture with thick layers of oil paint that are deeply furrowed with diverse brushstrokes. Sometimes it almost looks like he has combed the paint. His surfaces are “stitched” with cuts and grooves that weave through and animate it. Viewers may want to touch Hung’s canvases: His textures are irresistibly inviting.

...It’s hard not to think of Van Gogh and such pictures as his “Starry Night,” and although Van Gogh is one of Nguyen’s other influences, along with Gustav Klimt, Joan Miró, and Pablo Picasso, an influence just as powerful are the beautiful and calming Zen rock gardens. When carefully raked, they resemble moving water... - Bondo Wyszpolski, Arts and Entertainment Editor at the Easy Reader.

About his current exhibit, PLACES, Hung remarks, “While traveling I photographed favorite moments, places and scenes. From these images, I created works with ink and watercolor, applied two varieties of varnish for aging and crackling for a classic look. By capturing a cell phone image in a few seconds and then spending many hours to produce an artwork, I uncovered the relationship between the places and myself.”

Nguyen notes that his style of painting is similar to classic Oriental scroll painting. “The painter paints the places he or she has been traveling through, not one fixed location. I came up with the name “Sacred Landscape” for each of my series because I think nature is sacred, and the act of painting is sacred, too.”

Q. What role does the artist have in society?
A. An artist is as a monk, focusing on the spiritual journey, lives a simple life, consumes less and leaves
something beautiful for others.
Q. What’s your best childhood memory?
A. Hanging around with bad kids, skipping classes, wandering areas, and smoking cigarettes. I was 11 years old.

Besides the composition, colors, expression,... there is another factor which is very important to me: The relationship between material (oil paint) and myself. I can’t explain clearly, but that the process to be harmony: material has its own soul, I must respect it. I never think I can totally control the medium. What I want viewers taking from my work? Having feelings first, then everything else will come later!

Họa sĩ của thiên nhiên
Đây là cuộc triển lãm quan trọng của trường vì sau hai năm đóng cửa để trùng tu và tân trang toàn diện, nhân dịp Kleefeld Contemporary Art Museum khai trương với cuộc triển lãm của họa sĩ Nguyễn Việt Hùng cùng ba họa sĩ khác để chào mừng khách thưởng ngoạn hội họa quay lại với phòng trưng bày tranh.

Đằng-Giao/Người Việt Daily News Tường thuật

Người xem cảm nhận được bút pháp, nội lực và sức truyền thụ cảm xúc của họa sĩ Việt Hùng trên từng tác phẩm với một sức hút lạ kỳ

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